Of course, it’s the shading of the clouds and the sea that are the most obvious things to look out for but the texturing of the pilot’s outfits is a superb opportunity for your TV to shine. The best sequences to look out for are those in the Spitfires. Texture, colour, contrast, motion control, light and dark detail - this film pushes it all and, shot in IMAX, much of it fills your whole screen too with no letterbox black bars at the top or bottom. Such are the limited locations and the way that this film is cut together, that almost any chapter of this wartime epic is an excellent test picture power.
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